You know the manuscript isn't finished, but you can't possibly go through it
one.
more.
time.
Whichever publishing path you are on (traditional, independent, or hybrid), working with an editor is an investment in your story and your author career.
The Narrative Gardener reviews fiction manuscripts in several genres, providing edits and evaluations that foster, suggest, discuss, and enhance.
Like seedlings, stories benefit from cultivating the ideas at their roots and grooming the words on the page.
Writing is a constantly evolving creative process that challenges you to evaluate and improve. An editor's feedback and encouragement becomes part of your toolkit to shape, maintain, and grow your writing craft in the direction you desire.
All stories need strong foundations to build upon. Dig deep and establish solid frameworks for the story seeds to grow within.
With the structural elements set, the words become the focus. Nurture the prose to allow the story to blossom in the reader's mind.
Your story flourishes with strong roots and colorful prose. Apply the routine processes to keep it groomed and thriving.
The final, light check of a manuscript for typographical errors, grammar, punctuation, implementation of revisions, and formatting.
Proofreading is done after copyediting. Take care of those small mistakes that readers can harp on in reviews!
I'm familiar with CMOS, AP, APA, Oxford, and Australian styles, and I can work with in-house or your unique guides and style sheets.
The rate for proofreading fiction genres is $.005/word.
Stories don't only come in long form, and those shorter compositions deserve the same maintenance and care as their larger counterparts.
Explore specially tailored options to fortify and groom manuscripts in five categories under 40,000 words.
Your manuscript is finished, but your work is not yet done. Now to condense your story into a few short pieces for covers, marketing, querying, and sale copy.
We'll collaborate over several versions to summarize your story into mind-catching, enticing snippets you can adapt as you need to.
Querying agents takes time and research, but you've figured out what you want and need to say in the space allowed. Congrats, it's not an easy feat!
Over several versions, we'll brainstorm to attract attention, stand out, and convey what the agent wants to know.
Get an idea of what is strong and where you can focus your attention during self-edits. The way down the garden path will be clear.
Enlist the perspective of both a genre fan and an evaluator for your first draft. Cultivate the seedbed of your ideas.
Get a taste of working with The Narrative Gardener in-depth as you draft or edit. Identify the weeds and encourage the story seeds.
Go deep into the first three chapters of your story, uncovering what to keep and what to cull. Refine the tendrils that reel readers in.
Dig into the crucial first chapter with the reader in mind. Ensure you have all the right soil components to plant a story in.
First pages are like the bright flowers that attract attention. Be sure you have all the elements for a unique, colorful beginning.
An outline, story arc, or beat sheet provides direction as furrows do in a garden. Make sure yours contains the scenes and components to orient your initial drafting.
Spice and steam are always welcome. I'm not shy!
Prior to 1950. Mysteries and romances in these subgenres welcome.
Mysteries and romances in these subgenres are welcome.